IDLES recently released a seven-inch single featuring two unreleased songs from the album’s session, “Mercedes Marxist,” and the B-side, “I Dream Guillotine.” Even though the band may have felt that they did not fit the mood of their last album, both tracks are hard-hitting, insightful, and well worth a listen.
The post was originally published at Ongoing History Of Protest Music. “You will not replace us.” The white supremacists rallying cry expresses a paranoia that the traditional white male Christian power structure is under attack. Racists, homophobes, and misogynists want to preserve the oppressive status quo, which benefits them at
The anarcho-punk track depicts a world of politicians hiding in bunkers and locked down palaces. The elites fear what the rabble may do to them as they fight back against their poverty and repression.
Philadelphia hardcore group Soul Glo formed four summers ago in July of 2014. They have released a handful of records. They meld the influence of hardcore, black metal, and screamo, incorporating samples and poetry too. Mostly, they describe their music as “aggressive.” Lyrically, singer Pierce Jordan often writes in full
“This is about women who you decided aren’t women. And you are wrong. I don’t give a shit what you think. But when you, or any of you, do anything to put the lives of trans women at risk… I will fight you.” The above quote is sampled in the
“It’s the end of my bloodline. It’s mine, and you’re greedy. It’s mine.” “End of My Bloodline” by Screaming Females revolves around this central refrain, a meditation on bodies, agency and reproductive justice. The track comes from the prolific Jersey punk rock trio’s most recent album, “All At Once,” released
“I couldn’t slow down,” remembers singer, author, educator, and activist Alice Bag, reflecting on the days following her 2016 tour. “So I just started working on another record.” In 2016, she teamed up with Don Giovanni for the release of her self-titled album, “Alice Bag.” It was technically her first
Here’s a song from last year that still hasn’t left my personal rotation in 2018: “Rome Wasn’t Burnt in a Day,” a stealthy post-punk ode to working together in tearing down impossible structures of power. It appeared on the debut record by ESCAPE-ISM, “Introduction to Escape-ism,” the first-ever solo record
Lauren Denitzio has long been a master of lived-in, personal-political songwriting. With Worriers, Denitzio creates melodic punk songs that weave stories and lessons out of hard-fought feminist wisdom. The stories are sometimes told through wordy, double-time sweet-sung verse, sometimes with a gruff deadpan that sounds weary but never cynical. Worriers
What unfolded in Charlottesville makes a whole history of anti-fascist punk music as relevant as ever. Oi Polloi is an anarcho-punk band from Edinburgh, Scotland, which formed in 1981. Their album, “In Defense Of Our Earth” (1990) featured “Nazi Scum,” which urged resistance against Nazis, especially those who come to