“The thing that sets the Americans apart from the rest of the cultures in the world is we’re so fucking stupid,” Frank Zappa declares in “Eat That Question.”
It is captivating to see Weiner and his team, along with Abedin, follow the playbook for handling political scandals.
It is Oscar weekend. The backlash against the Academy Awards for the extreme lack of diversity in nominees is how this year’s awards will be remembered. One could argue this is how the awards will be remembered for a second year in a row. However, let’s focus on one awards category:
Michael Moore’s latest documentary is meant to inspire Americans with great ideas for social justice policies inspired by his visits to Europe.
Kartemquin Films continues to celebrate its 50th Anniversary with this short film on racism among working class Chicagoans in the 1970s.
At the University of Chicago, during the winter quarter of 1968-1969, students protest the firing of Professor Marlene Dixon and occupy an administration building. They sing “We Shall Not Be Moved” and appear on film describing how they view student power. A number of the students see their action as
In the early years of Kartemquin Films, the group produced cinéma vérité documentaries. Co-founders Gordon Quinn and Jerry Temaner were interested in “cinematic social inquiry.” And, at its core, the concept was films could be created to promote social change. One of the pioneering films produced in 1967 is “Thumbs
For Quentin Tarantino’s eighth film, the director pushed for “The Hateful Eight” to be distributed and screened in 70mm. The Weinstein Company provided immense support and helped Tarantino craft a roadshow experience to make seeing this epic an event. Venues were outfitted so that the 70mm format could be projected
With an incredible ensemble of actors, director Adam McKay transforms the tragedy of the collapse of the American economy in 2007 into a hilarious, informative, and mesmerizing tale of how it all unfolded. The film is based on Michael Lewis’ best-selling nonfiction book of the same title and follows a set
Few films in recent years have been as polarizing as Spike Lee’s “Chi-Raq.” Before it premiered, numerous well-meaning people throughout the United States, especially in Chicago, had already chosen to oppose the film, even though they had not seen it. It is too bad these people did not wait to