Files on “Top Gun: Maverick” detail the influence the Pentagon had over the sequel to Top Gun, how that affected the storyline and character arcs, and which “key talking points” became part of the script.

Newly released CIA documents shed light on this process, as well as on the close relationship between the Agency and the makers of the Oscar-winning spy drama “Argo,” especially with the film’s director and star Ben Affleck.  

Newly obtained documents reveal the inner workings of Homeland Security’s Multimedia Liaison Office, which assists the production of movies, TV shows, and more.

In 2016, the United States Army developed a months-long, multi-platform promotional campaign for the ‘Independence Day’ sequel.

CIA’s Office of Public Affairs (OPA) staff met with director Michael Bay and successfully leaned on him to make changes to his Benghazi movie, “13 Hours.”

Nearly 200 pages of contracts from the Drug Enforcement Administration (DEA) show reveal how agency exercises creative control over TV and film productions.

The FBI contacted producers of “Mark Felt: The Man Who Brought Down the White House,” even though no assistance was initially requested.

Production assistance agreements released by the Defense Department show the United States military used taxpayer money to subsidize part of the production of the National Geographic series, “The Long Road Home,” and a companion documentary.

National Geographic miniseries, “Long Road Home,” received extensive military support. Pentagon bent its rules for assistance, potentially committing fraud.