‘We Steal Secrets’ Documentary Focuses on Personalities of Assange, Manning Over Significance of WikiLeaks
Academy Award-winning director Alex Gibney held a special screening for his new documentary, We Steal Secrets: The Story of WikiLeaks, in Washington, DC, on May 21. Gibney also participated in a question and answer session after the film that was moderated by POLITICO‘s Josh Gerstein.
The opening of the film charts the rise of WikiLeaks—why editor-in-chief Julian Assange was “obsessed” with secrets, how the organization took on bank corruption in Iceland and who worked together to release the “Collateral Murder” video showing a 2007 Apache helicopter attack that killed two Reuters employees in Iraq. The expansion of the surveillance state after the September 11th attacks and the rise of what William Arkin and Dana Priest explored with their “Top Secret America” project provides a bit of context.
Pfc. Bradley Manning, who provided information to WikiLeaks, is introduced through what he said in his chats with hacker and government informant Adrian Lamo. Lines from the chat are typed across the screen. It becomes apparent that Lamo invited Manning to confide in him.
The film highlights Lamo’s decision to turn Manning into federal authorities, how he was viewed by others in the military, who he was socializing with in Boston, how he considered becoming a woman and some of the mental issues he was confronting while stationed as an intelligence analyst in FOB Hammer in Iraq.
Chat logs, suggestions and descriptions of Manning’s outbursts in the military are not particularly endearing to whatever contribution he has made to global society as a whistleblower, but Gibney never outright suggests that Manning’s mental health issues led him to leak classified information. He does include chat logs that show how Manning challenged the handing over of detainees to the Iraqi Federal Police, who would be tortured, because they had done nothing wrong and were just opponents of Prime Minister Nouri al-Maliki. Manning’s arrest and his confinement at Quantico are highlighted as well, with Gibney taking the story of Manning all the way up to his court martial.
In the second half of the film, Gibney broaches the issue of the sexual allegations that Assange has faced. It focuses on what led individuals that had worked with him to become alienated. His personality and ego, according to Gibney, along with a desire to keep his own secrets while trying to force the release of secrets from government and corporations, transform him into a character that drags WikiLeaks downward. And, as the film comes to an end, arguments are introduced that one of the downsides of WikiLeaks for Manning was not being able to communicate with the organization and explain what he was doing so he could not feel isolated. Loneliness is apparently the hallmark of a whistleblower and, as this can make one unstable, WikiLeaks bears some level of responsibility for not being able to comfort Manning.
As someone who has extensively covered the story of WikiLeaks, Julian Assange and Bradley Manning, there are multiple aspects of the film that happen to be misleading, disingenuous or seem to be the product of a director who has an axe to grind. [cont’d.]