Monday, May 3, 2010 8:00pm ET, over at FDL.

The Oath

Chat with Laura Poitras about her new film. Hosted by Lisa Derrick.

THE OATH tells the story of Abu Jandal, Osama bin Laden’s former bodyguard, and Salim Hamdan, a prisoner at Guantanamo Bay Prison and the first man to face the controversial military tribunals. Filmed in Yemen and Guantanamo Bay, Cuba, THE OATH is a family drama about two men whose fateful encounter in 1996 set them on a journey that would lead to Osama bin Laden, 9/11, Guantanamo Bay Prison, and the U.S. Supreme Court. The film begins as Salim Hamdan is set to face war crime charges at Guantanamo, and Abu Jandal is a free man and drives a taxi in Yemen.

We enter the story in a taxicab in Yemen. Here we meet Abu Jandal, the film’s central protagonist, as he transports passengers through the chaotic streets of Yemen’s capital city, Sana’a. Salim Hamdan is the film’s “ghost” protagonist. He was arrested in Afghanistan shortly after 9/11 and taken to Guantanamo. His seven-year captivity at Guantanamo is narrated through his prison letters.

LAURA POITRAS
Director / Producer / Cinematographer

Laura Poitras was nominated for an Academy Award, an Independent Spirit Award, and an Emmy Award for MY COUNTRY, MY COUNTRY (2006), a documentary about the U.S. occupation of Iraq. MY COUNTRY, MY COUNTRY was co-produced with ITVS, released theatrically by Zeitgeist Films, and broadcast on P.O.V./PBS.

She received a Peabody Award and was nominated for an Emmy and an Independent Spirit Award for FLAG WARS (2003; made with Linda Goode Bryant), a documentary about gentrification that premiered at the SXSW Film Festival and won the award for Best Documentary.

Following MY COUNTRY, MY COUNTRY, THE OATH is Poitras’ second documentary in a trilogy titled THE NEW AMERICAN CENTURY about America post 9/11. The final film will focus on the 9/11 trials.

Poitras is the recipient of a Guggenheim Fellowship, and a Media Arts Fellowship from the Rockefeller Foundation/Tribeca Film Institute. She has attended the Sundance Institute’s Documentary Storytelling and Edit Lab as both a Fellow and creative advisor. Her work has received support from the Independent Television Service (ITVS), P.O.V./American Documentary, Creative Capital, Sundance Documentary Film Program, Gucci Tribeca Documentary Fund, the Vital Projects Fund, NYSCA, Jerome Foundation, Chicken and Egg Pictures, and others.

She is currently working on THE GUANTANAMO PROJECT, a multi-media project to collect documents and artifacts from Guantanamo Bay Prison. Before making documentaries, she worked as a professional chef. She lives in New York City. (http://www.theoathmovie.com/)

Elliott

Elliott